by (Hyperallergic)

OMAHA — Brute physicality and fugitive imagery lie within the heart of Phantom Revenant, a solo exhibition at Bemis Center for Contemporary Art that was bookended by two performances by Cassils, a gender-nonconforming artist and 2017 Guggenheim Fellow based in Los Angeles.

The exhibition came to a solemn conclusion on a drab and rainy April 29 as passersby in Omaha, Nebraska, witnessed a slow-moving and mostly silent procession of about 70 people. At its front, a 600-pound cart bearing a 1,300-pound bronze sculpture was, in a group effort, arduously pushed, pulled, thrust, and jimmied over the cracked sidewalks and buckled cobblestones of the city’s Old Market neighborhood. Beginning at the Bemis Center, which organized the exhibition and performances, the four-hour procession stopped at six preselected locations for a quiet pause or short address by members of and advocates for the local LGBTQ community.

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